30 June, 2018

Jon Davis - One Up Front (2013)

Genre: Jazz | Total Time: 56:26 | Size: 129.31 MB | MP3 320 kbps
1. Strollin' 5:40
2. How Deep Is the Ocean 4:56
3. Candid Camera 5:57
4. This Joker's a Smoker 5:39
5. No Kiddin' 5:13
6. One up Front 6:39
7. You're the Top 4:34
8. My Ideal 4:09
9. Sir Dude 6:58
10. Goodbye Pork Pie Hat 6:42

Bass – Joris Teepe
Drums – Shinnosuke Takahashi
Piano – Jon Davis (2)

Recorded May 23, 2013

Posi-Tone ‎– PR8110 US
It's tempting to say that pianist Jon Davis has been hiding in plain sight for the past few decades, but he hasn't really been hiding at all. He's actually been playing all over the place with a lot of top-tier musicians; he just doesn't put himself up front very often. Davis, who's worked with saxophonist Stan Getz, vibraphonist Milt Jackson, bassist Jaco Pastorius, and a long list of other jazz luminaries, is the consummate sideman, always adding support and substance to other artists' performances and recordings, but that doesn't mean he doesn't deserve a little attention once in a while for his own music; One Up Front makes it clear that he has plenty of good things to say when the spotlight's turned in his direction.

Davis put together a well-balanced program of originals and standards for this, his Posi-Tone debut. He delivers a performance of pianist Horace Silver's "Strollin'" that lives up to its name, puts odd metered twists on "How Deep Is The Ocean" and "Goodbye Pork Pie Hat," and flies through Cole Porter's "You're The Top," which is powered by drummer Shinnosuke Takahashi's light-and-propulsive ride cymbal work. Davis also proves capable of ruminating on the theme of imagined love during an engaging performance of "My Ideal." The originals, which include a burning "This Joker's A Smoker," the mellow-swinging title track, and bassist Joris Teepe's bossa-tinged "Candid Camera," prove equally appealing.

Davis, Teepe and Takahashi prove to be a well-matched threesome in every way. Together, they wind their way through various musical settings, paying great attention to touch, balance and mood; when some trios play standards, whether packaged in run-of-the-mill fashion or arranged to their liking, they sound like they're phoning it in, but these guys never sound like that; Davis and his trio mates fully invest themselves in every performance on the highly pleasing One Up Front - DAN BILAWSKY

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